Wellesley Course Reviews
Wellesley College
| Code | Name | Overall | Easiness | Interest | Usefulness | Reviewssorted descending |
|---|---|---|---|---|---|---|
| CAMS 219 | Ecological Approaches to Cinema and Media Studies | 0 | 0 | 0 | 0 | 0 |
| CAMS 243 | Love in Indian Cinema | 0 | 0 | 0 | 0 | 0 |
| CAMS 255 | Dynamic Interface Design | 0 | 0 | 0 | 0 | 0 |
| CAMS 272 | Histories/Theories of Games | 0 | 0 | 0 | 0 | 0 |
| CAMS 292 | Film Noir | 0 | 0 | 0 | 0 | 0 |
| CAMS 301 | Surveillance Media: Technology, Ideology, Ethics | 0 | 0 | 0 | 0 | 0 |
| CAMS 310 | Film Festivals: Art House Aesthetics and Alternative Distrib... | 0 | 0 | 0 | 0 | 0 |
| CAMS 322 | Sem:Doc Film Theory:Intersect | 0 | 0 | 0 | 0 | 0 |
| CAMS 329 | Sem: Art Cinema Surrealisms | 0 | 0 | 0 | 0 | 0 |
| CAMS 343 | Sem:Tpc: Melodramatic Trad. | 0 | 0 | 0 | 0 | 0 |
| CAMS 360 | Senior Thesis Research | 0 | 0 | 0 | 0 | 0 |
| CAMS 105Y | 21st Century Cinema | 0 | 0 | 0 | 0 | 0 |
| CAMS 138 | Photography I | 0 | 0 | 0 | 0 | 0 |
| CAMS 203 | Chinese Cinema (in English) | 0 | 0 | 0 | 0 | 0 |
| CAMS 210 | Critical Histories of Computing: from Cybernetics to Social... | 0 | 0 | 0 | 0 | 0 |
| CAMS 239 | Digital Imaging | 0 | 0 | 0 | 0 | 0 |
| CAMS 222 | Documentary Film and Media | 0 | 0 | 0 | 0 | 0 |
| CAMS 227 | Television | 0 | 0 | 0 | 0 | 0 |
| CAMS 233 | American Jews and the Media | 0 | 0 | 0 | 0 | 0 |
| CAMS 240 | Gendering the Bronze Screen: Representations of Chicanas/Lat... | 0 | 0 | 0 | 0 | 0 |
| CAMS 250H | Research or Individual Study | 0 | 0 | 0 | 0 | 0 |
| CAMS 261 | African Cinema: Aesthetics and Politics of Contemporary Film | 0 | 0 | 0 | 0 | 0 |
| CAMS 286 | Fantasy Factories: Film and Propaganda in Nazi Germany and B... | 0 | 0 | 0 | 0 | 0 |
| CAMS 302 | Seminar: Media Archeology | 0 | 0 | 0 | 0 | 0 |
| CAMS 308 | Advanced Writing for Television | 0 | 0 | 0 | 0 | 0 |
| CAMS 320 | Sound as a Medium | 0 | 0 | 0 | 0 | 0 |
| CAMS 324 | Film Genre, Genre Films | 0 | 0 | 0 | 0 | 0 |
| CAMS 335 | Advanced Video Production | 0 | 0 | 0 | 0 | 0 |
| CAMS 350H | Research or Individual Study | 0 | 0 | 0 | 0 | 0 |
| CAMS 366 | Advanced Digital Projects “Narrative Space- The Constructi... | 0 | 0 | 0 | 0 | 0 |
| CAMS 313 | Virtual Form | 0 | 0 | 0 | 0 | 0 |
| CAMS 201 | Technologies of Cinema and Media | 0 | 0 | 0 | 0 | 0 |
| CAMS 207 | History of Photography: From Invention to Media Age | 0 | 0 | 0 | 0 | 0 |
| CAMS 216 | Creative Media Manipulation | 0 | 0 | 0 | 0 | 0 |
| CAMS 220 | Decolonizing Film History | 0 | 0 | 0 | 0 | 0 |
| CAMS 224 | Italian Women Film Directors: The Female Authorial Voice in... | 0 | 0 | 0 | 0 | 0 |
| CAMS 230 | Moving Image Studio | 0 | 0 | 0 | 0 | 0 |
| CAMS 234 | The Art of Screenwriting | 0 | 0 | 0 | 0 | 0 |
| CAMS 238 | Photography II: The Digital/Analog Rift | 0 | 0 | 0 | 0 | 0 |
| CAMS 241 | Asian/American Women in Film | 0 | 0 | 0 | 0 | 0 |
| CAMS 250 | Research or Individual Study | 0 | 0 | 0 | 0 | 0 |
| CAMS 271 | History of Slavery and Film | 0 | 0 | 0 | 0 | 0 |
| CAMS 277 | Film Noir | 0 | 0 | 0 | 0 | 0 |
| CAMS 300 | Post-Apocalyptic Cinema (Fren) | 0 | 0 | 0 | 0 | 0 |
| CAMS 304 | Seminar: Being (Post)Human: Representing Subjectivity in the... | 0 | 0 | 0 | 0 | 0 |
| CAMS 106Y | Ghostly Mediums | 0 | 0 | 0 | 0 | 0 |
| CAMS 321 | Advanced New Media | 0 | 0 | 0 | 0 | 0 |
| CAMS 327 | CSPW: Pub. Writing Film & TV | 0 | 0 | 0 | 0 | 0 |
| CAMS 338 | Photography III | 0 | 0 | 0 | 0 | 0 |
| CAMS 350 | Research or Individual Study | 0 | 0 | 0 | 0 | 0 |
| CAMS 370 | Senior Thesis | 0 | 0 | 0 | 0 | 0 |
| CAMS 101 | Introduction to Cinema and Media Studies | 0 | 0 | 0 | 0 | 0 |
| CAMS 135 | Introduction to the Moving Image | 0 | 0 | 0 | 0 | 0 |
| CAMS 202 | Aesthetics of Cinema and Media | 0 | 0 | 0 | 0 | 0 |
| CAMS 208 | Writing for Television | 0 | 0 | 0 | 0 | 0 |
| CAMS 218 | Theories of Media From Photography to the Internet | 0 | 0 | 0 | 0 | 0 |
| CAMS 221 | 21st Century Documentary | 0 | 0 | 0 | 0 | 0 |
| CAMS 225 | From the Fairground to Netflix: Cinema in the Public Sphere. | 0 | 0 | 0 | 0 | 0 |
| CAMS 232 | Anthropology of Media | 0 | 0 | 0 | 0 | 0 |
| CAMS 235 | Intermediate Video: Experimental Production | 0 | 0 | 0 | 0 | 0 |
CAMS 219
Ecological Approaches to Cinema and Media Studies
CAMS 243
Love in Indian Cinema
CAMS 255
Dynamic Interface Design
CAMS 272
Histories/Theories of Games
CAMS 292
Film Noir
CAMS 301
Surveillance Media: Technology, Ideology, Ethics
CAMS 310
Film Festivals: Art House Aesthetics and Alternative Distrib...
CAMS 322
Sem:Doc Film Theory:Intersect
CAMS 329
Sem: Art Cinema Surrealisms
CAMS 343
Sem:Tpc: Melodramatic Trad.
CAMS 360
Senior Thesis Research
CAMS 105Y
21st Century Cinema
CAMS 138
Photography I
CAMS 203
Chinese Cinema (in English)
CAMS 210
Critical Histories of Computing: from Cybernetics to Social...
CAMS 239
Digital Imaging
CAMS 222
Documentary Film and Media
CAMS 227
Television
CAMS 233
American Jews and the Media
CAMS 240
Gendering the Bronze Screen: Representations of Chicanas/Lat...
CAMS 250H
Research or Individual Study
CAMS 261
African Cinema: Aesthetics and Politics of Contemporary Film
CAMS 286
Fantasy Factories: Film and Propaganda in Nazi Germany and B...
CAMS 302
Seminar: Media Archeology
CAMS 308
Advanced Writing for Television
CAMS 320
Sound as a Medium
CAMS 324
Film Genre, Genre Films
CAMS 335
Advanced Video Production
CAMS 350H
Research or Individual Study
CAMS 366
Advanced Digital Projects “Narrative Space- The Constructi...
CAMS 313
Virtual Form
CAMS 201
Technologies of Cinema and Media
CAMS 207
History of Photography: From Invention to Media Age
CAMS 216
Creative Media Manipulation
CAMS 220
Decolonizing Film History
CAMS 224
Italian Women Film Directors: The Female Authorial Voice in...
CAMS 230
Moving Image Studio
CAMS 234
The Art of Screenwriting
CAMS 238
Photography II: The Digital/Analog Rift
CAMS 241
Asian/American Women in Film
CAMS 250
Research or Individual Study
CAMS 271
History of Slavery and Film
CAMS 277
Film Noir
CAMS 300
Post-Apocalyptic Cinema (Fren)
CAMS 304
Seminar: Being (Post)Human: Representing Subjectivity in the...
CAMS 106Y
Ghostly Mediums
CAMS 321
Advanced New Media
CAMS 327
CSPW: Pub. Writing Film & TV
CAMS 338
Photography III
CAMS 350
Research or Individual Study
CAMS 370
Senior Thesis
CAMS 101
Introduction to Cinema and Media Studies
CAMS 135
Introduction to the Moving Image
CAMS 202
Aesthetics of Cinema and Media
CAMS 208
Writing for Television
CAMS 218
Theories of Media From Photography to the Internet
CAMS 221
21st Century Documentary
CAMS 225
From the Fairground to Netflix: Cinema in the Public Sphere.
CAMS 232
Anthropology of Media
CAMS 235
Intermediate Video: Experimental Production