URochester Course Reviews
University of Rochester
| Code | Name | Overall | Easiness | Interest | Usefulness | Reviewssorted descending |
|---|---|---|---|---|---|---|
| AH 595B | Phd Rsrch In Absentia Abroad | 0 | 0 | 0 | 0 | 0 |
| AHST 481 | Unfinished Leonardo | 0 | 0 | 0 | 0 | 0 |
| ACY 596 | DMA Dissertation Project | 0 | 0 | 0 | 0 | 0 |
| AH 460 | Masters Seminar | 0 | 0 | 0 | 0 | 0 |
| AH 224 | Russian Art | 0 | 0 | 0 | 0 | 0 |
| ACC 418 | Taxes & Business Strategy | 0 | 0 | 0 | 0 | 0 |
| AHST 289 | Comic Books | 0 | 0 | 0 | 0 | 0 |
| AAS 168 | WEST AFRICAN DRUMMING Intro | 0 | 0 | 0 | 0 | 0 |
| AH 136 | Introduction To The Art Of Film | 0 | 0 | 0 | 0 | 0 |
| AAS 222 | MUSIC, ETHNOGRAPHY, and HIV/AIDS | 0 | 0 | 0 | 0 | 0 |
| AH 396 | Museum Internship | 0 | 0 | 0 | 0 | 0 |
| AH 265 | Photography in Spain & Spanish America | 0 | 0 | 0 | 0 | 0 |
| AAS 394 | Internship | 0 | 0 | 0 | 0 | 0 |
| AH 519 | Material Culture:Digital Age | 0 | 0 | 0 | 0 | 0 |
| AAAS 391 | Independent Study | 0 | 0 | 0 | 0 | 0 |
| AHST 221 | Roman Art and Archaeology | 0 | 0 | 0 | 0 | 0 |
| ACC 511 | Accounting Research II | 0 | 0 | 0 | 0 | 0 |
| AHST 410 | French Feminisms | 0 | 0 | 0 | 0 | 0 |
| AAAS 240 | Africa Welcomes China | 0 | 0 | 0 | 0 | 0 |
| AHST 591 | PhD Readings: Intro to Digital Media Studies | 0 | 0 | 0 | 0 | 0 |
| AAS 207 | Race, Ethnicity and American Politics | 0 | 0 | 0 | 0 | 0 |
| AH 213 | History of Western Art | 0 | 0 | 0 | 0 | 0 |
| AAAS 248 | African Diaspora in Latin America, 1804-2009 | 0 | 0 | 0 | 0 | 0 |
| AH 242 | History Of Photography I: 1839-1919 | 0 | 0 | 0 | 0 | 0 |
| AAS 244 | Mutilated Bodies: From Traditions To Cutting-Edge Technologi... | 0 | 0 | 0 | 0 | 0 |
| AH 391W | Independent Study | 0 | 0 | 0 | 0 | 0 |
| AH 287 | Culture On Display | 0 | 0 | 0 | 0 | 0 |
| AAS 306 | Caribbean Gothic | 0 | 0 | 0 | 0 | 0 |
| AH 423 | Collections Management | 0 | 0 | 0 | 0 | 0 |
| AAAS 294 | Political Economy of African-American Communities | 0 | 0 | 0 | 0 | 0 |
| AH 485 | History Of Photography II | 0 | 0 | 0 | 0 | 0 |
| ACC 226 | Auditing | 0 | 0 | 0 | 0 | 0 |
| AH 561 | Classical Film Theory | 0 | 0 | 0 | 0 | 0 |
| AAAS 220 | Race & Gender in Popular Film | 0 | 0 | 0 | 0 | 0 |
| AHST 195 | Dante's Divine Comedy I | 0 | 0 | 0 | 0 | 0 |
| ACC 438 | Auditing II | 0 | 0 | 0 | 0 | 0 |
| AHST 252 | Film History: Early Cinema | 0 | 0 | 0 | 0 | 0 |
| AAS 140 | Religion And Black Popular Music | 0 | 0 | 0 | 0 | 0 |
| AHST 391 | Independent Study | 0 | 0 | 0 | 0 | 0 |
| ACY 100G | Graduate Studio Accompanying | 0 | 0 | 0 | 0 | 0 |
| AHST 448 | French Philosophy Since 1960 | 0 | 0 | 0 | 0 | 0 |
| AAAS 184 | Sansifanyi W African Dan-Drum | 0 | 0 | 0 | 0 | 0 |
| AHST 536 | Art, Design and the Law | 0 | 0 | 0 | 0 | 0 |
| AH 100 | Intro To Visual&Culturl Stds | 0 | 0 | 0 | 0 | 0 |
| AHST 598 | Sr. Seminar: Photography and The Self | 0 | 0 | 0 | 0 | 0 |
| AAAS 244 | Mutilated Bodies | 0 | 0 | 0 | 0 | 0 |
| AH 188 | Cities & Urbanism In Precolumbian Mesoamerica And Andes | 0 | 0 | 0 | 0 | 0 |
| AAS 210 | NGOMA: DRUMMING, DANCE, and RITUAL in SOUTHERN AFRICA | 0 | 0 | 0 | 0 | 0 |
| AH 217 | Frameworks:Space & Place In The Work Of Art | 0 | 0 | 0 | 0 | 0 |
| AAAS 200 | Cltrl Politics Prison Towns | 0 | 0 | 0 | 0 | 0 |
| AH 229 | Art Of The Eighteenth Century | 0 | 0 | 0 | 0 | 0 |
| AAS 237 | Representing African-Americans In The African Imagination | 0 | 0 | 0 | 0 | 0 |
| AH 251 | Prehistory Of Peru | 0 | 0 | 0 | 0 | 0 |
| AAAS 261 | Black Film Collectives | 0 | 0 | 0 | 0 | 0 |
| AH 280 | Native American Art & Religion | 0 | 0 | 0 | 0 | 0 |
| AAS 251 | Us Latinos/Latinas | 0 | 0 | 0 | 0 | 0 |
| AH 335 | Ecological Realism | 0 | 0 | 0 | 0 | 0 |
| AH 316 | Photography & The Everyday | 0 | 0 | 0 | 0 | 0 |
| AAS 286 | Islam and the Third World | 0 | 0 | 0 | 0 | 0 |
| AH 393 | Art History Honors Project | 0 | 0 | 0 | 0 | 0 |
| AAAS 282 | African-American Political Thought | 0 | 0 | 0 | 0 | 0 |
| AH 414 | Cultural Contact: Artistic Encounters In A Global Context | 0 | 0 | 0 | 0 | 0 |
| AAS 380 | Senior Seminar | 0 | 0 | 0 | 0 | 0 |
| AH 437 | Islamic Architecture In Context | 0 | 0 | 0 | 0 | 0 |
| AAAS 214 | Reimagining the Human: Global Black Speculative Fiction | 0 | 0 | 0 | 0 | 0 |
| AH 469 | The Art Market | 0 | 0 | 0 | 0 | 0 |
| ACC 201 | Financial Accounting | 0 | 0 | 0 | 0 | 0 |
| AH 510 | Photography & The Self | 0 | 0 | 0 | 0 | 0 |
| AAAS 302 | Convservation of West Africa's BioCultural Heritage | 0 | 0 | 0 | 0 | 0 |
| AH 532 | Subjectivity And Form | 0 | 0 | 0 | 0 | 0 |
| ACC 401 | Corporate Financial Accounting | 0 | 0 | 0 | 0 | 0 |
| AH 590 | Phd Readings | 0 | 0 | 0 | 0 | 0 |
| AAAS 170 | Religion and Hip Hop | 0 | 0 | 0 | 0 | 0 |
| AH 897 | Masters Dissertation | 0 | 0 | 0 | 0 | 0 |
| ACC 424 | Financial Reporting II | 0 | 0 | 0 | 0 | 0 |
| AHST 214 | Robot Love: Decoding Gender and Race in Technology | 0 | 0 | 0 | 0 | 0 |
| AAS 113 | African Americans in South Africa | 0 | 0 | 0 | 0 | 0 |
| AHST 237 | Islamic Architecture in Context | 0 | 0 | 0 | 0 | 0 |
| ACC 442A | Financial Reporting Analytics for Decision Makers | 0 | 0 | 0 | 0 | 0 |
| AHST 276 | Art & Revolution in Europe: 1789-1917 | 0 | 0 | 0 | 0 | 0 |
| AAAS 229 | Slavery & the African American Novel | 0 | 0 | 0 | 0 | 0 |
| AHST 316 | Photography & the Everyday | 0 | 0 | 0 | 0 | 0 |
| ACM 430 | Secondary Accompanying | 0 | 0 | 0 | 0 | 0 |
| AHST 395 | Independent Research | 0 | 0 | 0 | 0 | 0 |
| AAS 153 | Islam in America | 0 | 0 | 0 | 0 | 0 |
| AHST 415 | Contemporary Art: Art School | 0 | 0 | 0 | 0 | 0 |
| ACY 415 | English Lyric Diction | 0 | 0 | 0 | 0 | 0 |
| AHST 463 | Surface Tensions: Wall Art from Cave Painting to Banksy | 0 | 0 | 0 | 0 | 0 |
| AAAS 142 | African-American History II since 1900 | 0 | 0 | 0 | 0 | 0 |
| AHST 526 | Iconoclasm | 0 | 0 | 0 | 0 | 0 |
| AEC 513 | Industrial Organization Theory | 0 | 0 | 0 | 0 | 0 |
| AHST 545 | Monuments and Monumentality | 0 | 0 | 0 | 0 | 0 |
| AAS 184 | Sansifanyi: West African Dance & Drum Ensemble | 0 | 0 | 0 | 0 | 0 |
| AH 114 | CREATING ARCHITECTURE - an Introduction | 0 | 0 | 0 | 0 | 0 |
| AAAS 107 | History of Islam | 0 | 0 | 0 | 0 | 0 |
| AAAS 154 | Introduction to Sound Art | 0 | 0 | 0 | 0 | 0 |
| AAAS 209 | The New Black Family | 0 | 0 | 0 | 0 | 0 |
| AAAS 272 | The Harlem Renaissance | 0 | 0 | 0 | 0 | 0 |
| AAS 266 | Internet Aesthetics: Viral Forms from the Global South | 0 | 0 | 0 | 0 | 0 |
| AH 324 | Architecture And Environment | 0 | 0 | 0 | 0 | 0 |
AH 595B
Phd Rsrch In Absentia Abroad
AHST 481
Unfinished Leonardo
ACY 596
DMA Dissertation Project
AH 460
Masters Seminar
AH 224
Russian Art
ACC 418
Taxes & Business Strategy
AHST 289
Comic Books
AAS 168
WEST AFRICAN DRUMMING Intro
AH 136
Introduction To The Art Of Film
AAS 222
MUSIC, ETHNOGRAPHY, and HIV/AIDS
AH 396
Museum Internship
AH 265
Photography in Spain & Spanish America
AAS 394
Internship
AH 519
Material Culture:Digital Age
AAAS 391
Independent Study
AHST 221
Roman Art and Archaeology
ACC 511
Accounting Research II
AHST 410
French Feminisms
AAAS 240
Africa Welcomes China
AHST 591
PhD Readings: Intro to Digital Media Studies
AAS 207
Race, Ethnicity and American Politics
AH 213
History of Western Art
AAAS 248
African Diaspora in Latin America, 1804-2009
AH 242
History Of Photography I: 1839-1919
AAS 244
Mutilated Bodies: From Traditions To Cutting-Edge Technologi...
AH 391W
Independent Study
AH 287
Culture On Display
AAS 306
Caribbean Gothic
AH 423
Collections Management
AAAS 294
Political Economy of African-American Communities
AH 485
History Of Photography II
ACC 226
Auditing
AH 561
Classical Film Theory
AAAS 220
Race & Gender in Popular Film
AHST 195
Dante's Divine Comedy I
ACC 438
Auditing II
AHST 252
Film History: Early Cinema
AAS 140
Religion And Black Popular Music
AHST 391
Independent Study
ACY 100G
Graduate Studio Accompanying
AHST 448
French Philosophy Since 1960
AAAS 184
Sansifanyi W African Dan-Drum
AHST 536
Art, Design and the Law
AH 100
Intro To Visual&Culturl Stds
AHST 598
Sr. Seminar: Photography and The Self
AAAS 244
Mutilated Bodies
AH 188
Cities & Urbanism In Precolumbian Mesoamerica And Andes
AAS 210
NGOMA: DRUMMING, DANCE, and RITUAL in SOUTHERN AFRICA
AH 217
Frameworks:Space & Place In The Work Of Art
AAAS 200
Cltrl Politics Prison Towns
AH 229
Art Of The Eighteenth Century
AAS 237
Representing African-Americans In The African Imagination
AH 251
Prehistory Of Peru
AAAS 261
Black Film Collectives
AH 280
Native American Art & Religion
AAS 251
Us Latinos/Latinas
AH 335
Ecological Realism
AH 316
Photography & The Everyday
AAS 286
Islam and the Third World
AH 393
Art History Honors Project
AAAS 282
African-American Political Thought
AH 414
Cultural Contact: Artistic Encounters In A Global Context
AAS 380
Senior Seminar
AH 437
Islamic Architecture In Context
AAAS 214
Reimagining the Human: Global Black Speculative Fiction
AH 469
The Art Market
ACC 201
Financial Accounting
AH 510
Photography & The Self
AAAS 302
Convservation of West Africa's BioCultural Heritage
AH 532
Subjectivity And Form
ACC 401
Corporate Financial Accounting
AH 590
Phd Readings
AAAS 170
Religion and Hip Hop
AH 897
Masters Dissertation
ACC 424
Financial Reporting II
AHST 214
Robot Love: Decoding Gender and Race in Technology
AAS 113
African Americans in South Africa
AHST 237
Islamic Architecture in Context
ACC 442A
Financial Reporting Analytics for Decision Makers
AHST 276
Art & Revolution in Europe: 1789-1917
AAAS 229
Slavery & the African American Novel
AHST 316
Photography & the Everyday
ACM 430
Secondary Accompanying
AHST 395
Independent Research
AAS 153
Islam in America
AHST 415
Contemporary Art: Art School
ACY 415
English Lyric Diction
AHST 463
Surface Tensions: Wall Art from Cave Painting to Banksy
AAAS 142
African-American History II since 1900
AHST 526
Iconoclasm
AEC 513
Industrial Organization Theory
AHST 545
Monuments and Monumentality
AAS 184
Sansifanyi: West African Dance & Drum Ensemble
AH 114
CREATING ARCHITECTURE - an Introduction
AAAS 107
History of Islam
AAAS 154
Introduction to Sound Art
AAAS 209
The New Black Family
AAAS 272
The Harlem Renaissance
AAS 266
Internet Aesthetics: Viral Forms from the Global South
AH 324
Architecture And Environment