UCSD Course Reviews
University of California, San Diego
Code | Name | Overall | Easiness | Interest | Usefulness | Reviewssorted descending |
---|---|---|---|---|---|---|
VIS 126E | Indigenisms I | 0 | 0 | 0 | 0 | 0 |
VIS 107B | Sculpture: Practices & Genre | 0 | 0 | 0 | 0 | 0 |
VIS 110B | Prof Practice in Visual Arts | 0 | 0 | 0 | 0 | 0 |
VIS 110K | Digital Studio | 0 | 0 | 0 | 0 | 0 |
VIS 113CN | Hist/Criticsm III:Contemporary | 0 | 0 | 0 | 0 | 0 |
VIS 121B | ChurchMosque:Med. Art and Arch | 0 | 0 | 0 | 0 | 0 |
VIS 122B | Baroque | 0 | 0 | 0 | 0 | 0 |
VIS 124CN | Nineteenth Century Art | 0 | 0 | 0 | 0 | 0 |
VIS 125BN | Contemporary Art | 0 | 0 | 0 | 0 | 0 |
VIS 125C | Modern Art in West 1850-1950 | 0 | 0 | 0 | 0 | 0 |
VIS 106B | Painting: Practices and Genre | 0 | 0 | 0 | 0 | 0 |
VIS 126HN | Pac Coast American Indian Art | 0 | 0 | 0 | 0 | 0 |
VIS 126BN | Art&Civilization/Ancient Maya | 0 | 0 | 0 | 0 | 0 |
VIS 127P | Arts of Japan | 0 | 0 | 0 | 0 | 0 |
VIS 127N | 20th Century Art/China & Japan | 0 | 0 | 0 | 0 | 0 |
VIS 128C | Topics in Modern Art History | 0 | 0 | 0 | 0 | 0 |
VIS 129C | Seminar/Modern Art History | 0 | 0 | 0 | 0 | 0 |
VIS 129D | Seminar/Art History/Americas | 0 | 0 | 0 | 0 | 0 |
VIS 129B | Seminar/Early Modern Art Hist | 0 | 0 | 0 | 0 | 0 |
VIS 133A | Studio Topics in Spec Design | 0 | 0 | 0 | 0 | 0 |
VIS 299 | Graduate Research | 0 | 0 | 0 | 0 | 0 |
VIS 190 | Design Master Studio | 0 | 0 | 0 | 0 | 0 |
VIS 203 | Working Critique | 0 | 0 | 0 | 0 | 0 |
VIS 207 | Working Practice for AP PhD's | 0 | 0 | 0 | 0 | 0 |
VIS 210 | Narrative | 0 | 0 | 0 | 0 | 0 |
VIS 215 | Human Interface | 0 | 0 | 0 | 0 | 0 |
VIS 234N | Frames of View | 0 | 0 | 0 | 0 | 0 |
VIS 244 | Relationships/Theory &Practice | 0 | 0 | 0 | 0 | 0 |
VIS 255 | Seminar in Contemporary Art | 0 | 0 | 0 | 0 | 0 |
VIS 258 | Seminar in Chinese Art | 0 | 0 | 0 | 0 | 0 |
VIS 141A | Computer Programming/Arts I | 0 | 0 | 0 | 0 | 0 |
VIS 3 | Intr/Art-Making:3-D Practices | 0 | 0 | 0 | 0 | 0 |
VIS 21A | Int/ArtAmericas/Africa/Oceania | 0 | 0 | 0 | 0 | 0 |
VIS 30 | Intro to Speculative Design | 0 | 0 | 0 | 0 | 0 |
VIS 70N | Introduction to Media | 0 | 0 | 0 | 0 | 0 |
VIS 100A | Design of Public Culture | 0 | 0 | 0 | 0 | 0 |
VIS 103C | Silk Roads: A Critical Study | 0 | 0 | 0 | 0 | 0 |
VIS 103A | Contemporary Arts in S. Korea | 0 | 0 | 0 | 0 | 0 |
VIS 105E | Chin Calligraphy/Installation | 0 | 0 | 0 | 0 | 0 |
VIS 160A | Senior Proj/Computing Arts I | 0 | 0 | 0 | 0 | 0 |
VIS 257 | Seminar in Mesoamerican Art | 0 | 0 | 0 | 0 | 0 |
VIS 298 | Directed Group Study | 0 | 0 | 0 | 0 | 0 |
VIS 502 | Graduate Teaching in Vis Arts | 0 | 0 | 0 | 0 | 0 |
VIS 2 | Intr/Art-Making:Motn&Time Base | 0 | 0 | 0 | 0 | 0 |
VIS 83 | Photographic History | 0 | 0 | 0 | 0 | 0 |
VIS 105D | Aesthetics/Chinese Calligraphy | 0 | 0 | 0 | 0 | 0 |
VIS 110E | Art/Public Spaces/Site Specifc | 0 | 0 | 0 | 0 | 0 |
VIS 112 | Theories and Methods | 0 | 0 | 0 | 0 | 0 |
VIS 135 | Design Research Methods | 0 | 0 | 0 | 0 | 0 |
VIS 254 | Seminar in Modern Art | 0 | 0 | 0 | 0 | 0 |
VIS 200 | Methods and Theories | 0 | 0 | 0 | 0 | 0 |
VIS 11 | Introduction to Visual Culture | 0 | 0 | 0 | 0 | 0 |
VIS 101A | Designing Urban Ecologies | 0 | 0 | 0 | 0 | 0 |
VIS 107A | Sculpture: Making the Object | 0 | 0 | 0 | 0 | 0 |
VIS 110M | Studio Honors I | 0 | 0 | 0 | 0 | 0 |
VIS 117E | Problems in Ethnoaesthetics | 0 | 0 | 0 | 0 | 0 |
VIS 145A | Time&Process Digital Media I | 0 | 0 | 0 | 0 | 0 |
VIS 181 | Adv Sound And Lighting | 0 | 0 | 0 | 0 | 0 |
VIS 201 | Contemporary Critical Issues | 0 | 0 | 0 | 0 | 0 |
VIS 179 | Intermediate Projects in Media | 0 | 0 | 0 | 0 | 0 |
VIS 145B | Time&Process Digital Media II | 0 | 0 | 0 | 0 | 0 |
VIS 149 | Contemporary Computer Topics | 0 | 0 | 0 | 0 | 0 |
VIS 154 | Hard Look at the Movies | 0 | 0 | 0 | 0 | 0 |
VIS 157 | Environmentalism/Arts & Media | 0 | 0 | 0 | 0 | 0 |
VIS 160B | Senior Proj/Computing Arts II | 0 | 0 | 0 | 0 | 0 |
VIS 163 | Design Research & Criticism | 0 | 0 | 0 | 0 | 0 |
VIS 167 | Social Engagement&Photography | 0 | 0 | 0 | 0 | 0 |
VIS 172 | Motion Design/Visual Effects | 0 | 0 | 0 | 0 | 0 |
VIS 176 | 16mm Filmmaking | 0 | 0 | 0 | 0 | 0 |
VIS 183A | Strategies of Self | 0 | 0 | 0 | 0 | 0 |
VIS 183B | Strategies of Alterity | 0 | 0 | 0 | 0 | 0 |
VIS 185 | Senior Media Projects | 0 | 0 | 0 | 0 | 0 |
VIS 202 | Art Practice | 0 | 0 | 0 | 0 | 0 |
VIS 205 | Intro/Grad Studies/Art Practic | 0 | 0 | 0 | 0 | 0 |
VIS 209 | Thesis Writing | 0 | 0 | 0 | 0 | 0 |
VIS 213 | Public Space | 0 | 0 | 0 | 0 | 0 |
VIS 219 | Spec Top/Art Practice/Theory | 0 | 0 | 0 | 0 | 0 |
VIS 243 | Aesthetic Theory | 0 | 0 | 0 | 0 | 0 |
VIS 147B | Electronic Technologies/Art II | 0 | 0 | 0 | 0 | 0 |
VIS 126I | Southwest American Indian Art | 0 | 0 | 0 | 0 | 0 |
VIS 127C | Arts of Modern China | 0 | 0 | 0 | 0 | 0 |
VIS 127B | Arts of China | 0 | 0 | 0 | 0 | 0 |
VIS 128A | Topics/Pre-Modern Art History | 0 | 0 | 0 | 0 | 0 |
VIS 129A | Seminar/Pre-Modern Art History | 0 | 0 | 0 | 0 | 0 |
VIS 129E | Seminar/Art History/Asia | 0 | 0 | 0 | 0 | 0 |
VIS 131 | Special Projects in Media | 0 | 0 | 0 | 0 | 0 |
VIS 136A | Speculative Fiction Seminar | 0 | 0 | 0 | 0 | 0 |
VIS 142 | Practices in Computing Arts | 0 | 0 | 0 | 0 | 0 |
VIS 126P | Latin American Art: 1890-1950 | 0 | 0 | 0 | 0 | 0 |
VIS 152 | Film in Social Context | 0 | 0 | 0 | 0 | 0 |
VIS 156 | Latino American Cinema | 0 | 0 | 0 | 0 | 0 |
VIS 159 | History of Art and Technology | 0 | 0 | 0 | 0 | 0 |
VIS 162 | Spec. Science&Design Invention | 0 | 0 | 0 | 0 | 0 |
VIS 165 | Black and White Darkroom | 0 | 0 | 0 | 0 | 0 |
VIS 171 | Digital Cinema Theory/Practice | 0 | 0 | 0 | 0 | 0 |
VIS 175 | Editing - Theory & Practice | 0 | 0 | 0 | 0 | 0 |
VIS 178 | Sound - Theory and Production | 0 | 0 | 0 | 0 | 0 |
VIS 180B | Fic & Allegory/Curr Media Prac | 0 | 0 | 0 | 0 | 0 |
VIS 110I | Performing for the Camera | 0 | 0 | 0 | 0 | 0 |
VIS 20 | Intro to Art in Europe/America | 0 | 0 | 0 | 0 | 0 |
VIS 23 | Art History Methods | 0 | 0 | 0 | 0 | 0 |
VIS 60 | Intro/Digital Photography | 0 | 0 | 0 | 0 | 0 |
VIS 100 | Introduction to Public Culture | 0 | 0 | 0 | 0 | 0 |
VIS 102 | Democratizing the City | 0 | 0 | 0 | 0 | 0 |
VIS 103B | Architecture&Urbanism of Korea | 0 | 0 | 0 | 0 | 0 |
VIS 105B | Drawing: Practices and Genre | 0 | 0 | 0 | 0 | 0 |
VIS 105A | Drawing: Representing/Subject | 0 | 0 | 0 | 0 | 0 |
VIS 106C | Painting: Portfolio Projects | 0 | 0 | 0 | 0 | 0 |
VIS 184 | Advanced Scripting | 0 | 0 | 0 | 0 | 0 |
VIS 110N | Studio Honors II | 0 | 0 | 0 | 0 | 0 |
VIS 110D | Visual Narrative | 0 | 0 | 0 | 0 | 0 |
VIS 117F | Theorizing the Americas | 0 | 0 | 0 | 0 | 0 |
VIS 121C | Art & Bible in Middle Ages | 0 | 0 | 0 | 0 | 0 |
VIS 122CN | Leonardo da Vinci in context | 0 | 0 | 0 | 0 | 0 |
VIS 124E | The Production of Nature | 0 | 0 | 0 | 0 | 0 |
VIS 125G | Hist. of Socially Engaged Art | 0 | 0 | 0 | 0 | 0 |
VIS 126F | Indigenisms II | 0 | 0 | 0 | 0 | 0 |
VIS 152D | IdentityThruTransnationalCinem | 0 | 0 | 0 | 0 | 0 |
VIS 110G | Natural & Altered Environment | 0 | 0 | 0 | 0 | 0 |
VIS 110C | Proposals, Plans, Presentation | 0 | 0 | 0 | 0 | 0 |
VIS 110H | Art and Text | 0 | 0 | 0 | 0 | 0 |
VIS 120B | Roman Art | 0 | 0 | 0 | 0 | 0 |
VIS 129H | Art Hist Hon Directed Grp Stdy | 0 | 0 | 0 | 0 | 0 |
VIS 132 | Installation Production&Studio | 0 | 0 | 0 | 0 | 0 |
VIS 141B | Computer Programming/Arts II | 0 | 0 | 0 | 0 | 0 |
VIS 143 | Virtual Environments | 0 | 0 | 0 | 0 | 0 |
VIS 147A | Electronic Technologies/Art I | 0 | 0 | 0 | 0 | 0 |
VIS 107C | Sculpture: Portfolio Projects | 0 | 0 | 0 | 0 | 0 |
VIS 155 | The Director Series | 0 | 0 | 0 | 0 | 0 |
VIS 158 | Histories of Photography | 0 | 0 | 0 | 0 | 0 |
VIS 161 | Systems and Networks at Scale | 0 | 0 | 0 | 0 | 0 |
VIS 164 | Photographic Strategies | 0 | 0 | 0 | 0 | 0 |
VIS 168 | Pictorialism&Construct.Reality | 0 | 0 | 0 | 0 | 0 |
VIS 174 | Media Sketchbook | 0 | 0 | 0 | 0 | 0 |
VIS 177 | Scripting Strategies | 0 | 0 | 0 | 0 | 0 |
VIS 180A | Documentary Evidence/Media Pra | 0 | 0 | 0 | 0 | 0 |
VIS 500 | Apprentice Teaching | 0 | 0 | 0 | 0 | 0 |
VIS 199 | Special Studies | 0 | 0 | 0 | 0 | 0 |
VIS 204 | Re-Thinking Art History | 0 | 0 | 0 | 0 | 0 |
VIS 208 | Thesis Exhibition | 0 | 0 | 0 | 0 | 0 |
VIS 212 | History and Memory | 0 | 0 | 0 | 0 | 0 |
VIS 216 | The Object | 0 | 0 | 0 | 0 | 0 |
VIS 242 | Theories of Media & New Media | 0 | 0 | 0 | 0 | 0 |
VIS 251 | Seminar in Medieval Art | 0 | 0 | 0 | 0 | 0 |
VIS 256 | Seminar in Media and New Media | 0 | 0 | 0 | 0 | 0 |
VIS 295 | Individual Studies/Grad Studnt | 0 | 0 | 0 | 0 | 0 |
VIS 1 | Intr/Art-Making:2-D Practices | 0 | 0 | 0 | 0 | 0 |
VIS 10 | Computing Arts Lecture Series | 0 | 0 | 0 | 0 | 0 |
VIS 22 | Formations of Modern Art | 0 | 0 | 0 | 0 | 0 |
VIS 41 | Design Communication | 0 | 0 | 0 | 0 | 0 |
VIS 80 | Introduction to Studio Major | 0 | 0 | 0 | 0 | 0 |
VIS 101 | Intro. to Urban Ecologies | 0 | 0 | 0 | 0 | 0 |
VIS 103 | Architectural Practices | 0 | 0 | 0 | 0 | 0 |
VIS 105C | Drawing: Portfolio Projects | 0 | 0 | 0 | 0 | 0 |
VIS 106A | Painting: Image Making | 0 | 0 | 0 | 0 | 0 |
VIS 126E
Indigenisms I
VIS 107B
Sculpture: Practices & Genre
VIS 110B
Prof Practice in Visual Arts
VIS 110K
Digital Studio
VIS 113CN
Hist/Criticsm III:Contemporary
VIS 121B
ChurchMosque:Med. Art and Arch
VIS 122B
Baroque
VIS 124CN
Nineteenth Century Art
VIS 125BN
Contemporary Art
VIS 125C
Modern Art in West 1850-1950
VIS 106B
Painting: Practices and Genre
VIS 126HN
Pac Coast American Indian Art
VIS 126BN
Art&Civilization/Ancient Maya
VIS 127P
Arts of Japan
VIS 127N
20th Century Art/China & Japan
VIS 128C
Topics in Modern Art History
VIS 129C
Seminar/Modern Art History
VIS 129D
Seminar/Art History/Americas
VIS 129B
Seminar/Early Modern Art Hist
VIS 133A
Studio Topics in Spec Design
VIS 299
Graduate Research
VIS 190
Design Master Studio
VIS 203
Working Critique
VIS 207
Working Practice for AP PhD's
VIS 210
Narrative
VIS 215
Human Interface
VIS 234N
Frames of View
VIS 244
Relationships/Theory &Practice
VIS 255
Seminar in Contemporary Art
VIS 258
Seminar in Chinese Art
VIS 141A
Computer Programming/Arts I
VIS 3
Intr/Art-Making:3-D Practices
VIS 21A
Int/ArtAmericas/Africa/Oceania
VIS 30
Intro to Speculative Design
VIS 70N
Introduction to Media
VIS 100A
Design of Public Culture
VIS 103C
Silk Roads: A Critical Study
VIS 103A
Contemporary Arts in S. Korea
VIS 105E
Chin Calligraphy/Installation
VIS 160A
Senior Proj/Computing Arts I
VIS 257
Seminar in Mesoamerican Art
VIS 298
Directed Group Study
VIS 502
Graduate Teaching in Vis Arts
VIS 2
Intr/Art-Making:Motn&Time Base
VIS 83
Photographic History
VIS 105D
Aesthetics/Chinese Calligraphy
VIS 110E
Art/Public Spaces/Site Specifc
VIS 112
Theories and Methods
VIS 135
Design Research Methods
VIS 254
Seminar in Modern Art
VIS 200
Methods and Theories
VIS 11
Introduction to Visual Culture
VIS 101A
Designing Urban Ecologies
VIS 107A
Sculpture: Making the Object
VIS 110M
Studio Honors I
VIS 117E
Problems in Ethnoaesthetics
VIS 145A
Time&Process Digital Media I
VIS 181
Adv Sound And Lighting
VIS 201
Contemporary Critical Issues
VIS 179
Intermediate Projects in Media
VIS 145B
Time&Process Digital Media II
VIS 149
Contemporary Computer Topics
VIS 154
Hard Look at the Movies
VIS 157
Environmentalism/Arts & Media
VIS 160B
Senior Proj/Computing Arts II
VIS 163
Design Research & Criticism
VIS 167
Social Engagement&Photography
VIS 172
Motion Design/Visual Effects
VIS 176
16mm Filmmaking
VIS 183A
Strategies of Self
VIS 183B
Strategies of Alterity
VIS 185
Senior Media Projects
VIS 202
Art Practice
VIS 205
Intro/Grad Studies/Art Practic
VIS 209
Thesis Writing
VIS 213
Public Space
VIS 219
Spec Top/Art Practice/Theory
VIS 243
Aesthetic Theory
VIS 147B
Electronic Technologies/Art II
VIS 126I
Southwest American Indian Art
VIS 127C
Arts of Modern China
VIS 127B
Arts of China
VIS 128A
Topics/Pre-Modern Art History
VIS 129A
Seminar/Pre-Modern Art History
VIS 129E
Seminar/Art History/Asia
VIS 131
Special Projects in Media
VIS 136A
Speculative Fiction Seminar
VIS 142
Practices in Computing Arts
VIS 126P
Latin American Art: 1890-1950
VIS 152
Film in Social Context
VIS 156
Latino American Cinema
VIS 159
History of Art and Technology
VIS 162
Spec. Science&Design Invention
VIS 165
Black and White Darkroom
VIS 171
Digital Cinema Theory/Practice
VIS 175
Editing - Theory & Practice
VIS 178
Sound - Theory and Production
VIS 180B
Fic & Allegory/Curr Media Prac
VIS 110I
Performing for the Camera
VIS 20
Intro to Art in Europe/America
VIS 23
Art History Methods
VIS 60
Intro/Digital Photography
VIS 100
Introduction to Public Culture
VIS 102
Democratizing the City
VIS 103B
Architecture&Urbanism of Korea
VIS 105B
Drawing: Practices and Genre
VIS 105A
Drawing: Representing/Subject
VIS 106C
Painting: Portfolio Projects
VIS 184
Advanced Scripting
VIS 110N
Studio Honors II
VIS 110D
Visual Narrative
VIS 117F
Theorizing the Americas
VIS 121C
Art & Bible in Middle Ages
VIS 122CN
Leonardo da Vinci in context
VIS 124E
The Production of Nature
VIS 125G
Hist. of Socially Engaged Art
VIS 126F
Indigenisms II
VIS 152D
IdentityThruTransnationalCinem
VIS 110G
Natural & Altered Environment
VIS 110C
Proposals, Plans, Presentation
VIS 110H
Art and Text
VIS 120B
Roman Art
VIS 129H
Art Hist Hon Directed Grp Stdy
VIS 132
Installation Production&Studio
VIS 141B
Computer Programming/Arts II
VIS 143
Virtual Environments
VIS 147A
Electronic Technologies/Art I
VIS 107C
Sculpture: Portfolio Projects
VIS 155
The Director Series
VIS 158
Histories of Photography
VIS 161
Systems and Networks at Scale
VIS 164
Photographic Strategies
VIS 168
Pictorialism&Construct.Reality
VIS 174
Media Sketchbook
VIS 177
Scripting Strategies
VIS 180A
Documentary Evidence/Media Pra
VIS 500
Apprentice Teaching
VIS 199
Special Studies
VIS 204
Re-Thinking Art History
VIS 208
Thesis Exhibition
VIS 212
History and Memory
VIS 216
The Object
VIS 242
Theories of Media & New Media
VIS 251
Seminar in Medieval Art
VIS 256
Seminar in Media and New Media
VIS 295
Individual Studies/Grad Studnt
VIS 1
Intr/Art-Making:2-D Practices
VIS 10
Computing Arts Lecture Series
VIS 22
Formations of Modern Art
VIS 41
Design Communication
VIS 80
Introduction to Studio Major
VIS 101
Intro. to Urban Ecologies
VIS 103
Architectural Practices
VIS 105C
Drawing: Portfolio Projects
VIS 106A
Painting: Image Making