Oberlin Course Reviews
Oberlin College
Code | Name | Overall | Easiness | Interest | Usefulness | Reviewssorted descending |
---|---|---|---|---|---|---|
ARTH 271 | Looking for Africa in Brazil | 0 | 0 | 0 | 0 | 0 |
ARTH 391 | Love, Lust, and Desire in Renaissance and Baroque Art | 0 | 0 | 0 | 0 | 0 |
ARTH 352 | The pleasures of disgust in Contemporary Art | 0 | 0 | 0 | 0 | 0 |
ARTH 295OC | Ingenious Making | 0 | 0 | 0 | 0 | 0 |
ARTH 293 | Anguissola, Leonardo, Michelangelo, Raphael: Art, Politics a... | 0 | 0 | 0 | 0 | 0 |
ARTH 270 | Africa, Europe, and the Art of Colonization Africa, Europe,... | 0 | 0 | 0 | 0 | 0 |
ARTH 252 | Collectives and Collaboration in Modern and Contemporary Art | 0 | 0 | 0 | 0 | 0 |
ARTH 223 | Politics and Protest: Modern Chinese Art | 0 | 0 | 0 | 0 | 0 |
ARTH 204 | Introduction to Book Studies | 0 | 0 | 0 | 0 | 0 |
ARTH 154 | Approaches to African Art | 0 | 0 | 0 | 0 | 0 |
ARTH 110 | Christian Art: A Global History | 0 | 0 | 0 | 0 | 0 |
ARTH 499 | Honors in Art History | 0 | 0 | 0 | 0 | 0 |
ARTH 370 | Slavery and the Problem of the Visual | 0 | 0 | 0 | 0 | 0 |
ARTH 299 | Methods of Art History | 0 | 0 | 0 | 0 | 0 |
ARTH 294 | The Arts of Conquest and Resistance in 17th century Europe a... | 0 | 0 | 0 | 0 | 0 |
ARTH 150 | Approaches to Western Art | 0 | 0 | 0 | 0 | 0 |
ARTH 253 | Latinx Art: Past and Futures | 0 | 0 | 0 | 0 | 0 |
ARTH 225 | Pleasure and Design in Confinement: Japanese Prints in and a... | 0 | 0 | 0 | 0 | 0 |
ARTH 211 | Medieval and Renaissance Illuminated Manuscripts | 0 | 0 | 0 | 0 | 0 |
ARTH 157 | Approaches to the Art of the Americas | 0 | 0 | 0 | 0 | 0 |
ARTH 152 | Approaches to Chinese and Japanese Art | 0 | 0 | 0 | 0 | 0 |
ARTH 390 | Wood, Flesh, Metal, Blood | 0 | 0 | 0 | 0 | 0 |
ARTH 329 | Cultural Property? Art, Heritage, Ownership Cultural Propert... | 0 | 0 | 0 | 0 | 0 |
ARTH 295 | Ingenious Making in the Early Modern World | 0 | 0 | 0 | 0 | 0 |
ARTH 290 | Gender and the Visual Arts in Europe, 1450–1750 | 0 | 0 | 0 | 0 | 0 |
ARTH 269 | Beyond the Plane: Photography as Intermedium | 0 | 0 | 0 | 0 | 0 |
ARTH 239 | Word and Image in Early Modern | 0 | 0 | 0 | 0 | 0 |
ARTH 215 | Saints and Relics in Medieval and Renaissance Art | 0 | 0 | 0 | 0 | 0 |
ARTH 158 | Approaches to Islamic Art | 0 | 0 | 0 | 0 | 0 |
ARTH 271
Looking for Africa in Brazil
ARTH 391
Love, Lust, and Desire in Renaissance and Baroque Art
ARTH 352
The pleasures of disgust in Contemporary Art
ARTH 295OC
Ingenious Making
ARTH 293
Anguissola, Leonardo, Michelangelo, Raphael: Art, Politics a...
ARTH 270
Africa, Europe, and the Art of Colonization Africa, Europe,...
ARTH 252
Collectives and Collaboration in Modern and Contemporary Art
ARTH 223
Politics and Protest: Modern Chinese Art
ARTH 204
Introduction to Book Studies
ARTH 154
Approaches to African Art
ARTH 110
Christian Art: A Global History
ARTH 499
Honors in Art History
ARTH 370
Slavery and the Problem of the Visual
ARTH 299
Methods of Art History
ARTH 294
The Arts of Conquest and Resistance in 17th century Europe a...
ARTH 150
Approaches to Western Art
ARTH 253
Latinx Art: Past and Futures
ARTH 225
Pleasure and Design in Confinement: Japanese Prints in and a...
ARTH 211
Medieval and Renaissance Illuminated Manuscripts
ARTH 157
Approaches to the Art of the Americas
ARTH 152
Approaches to Chinese and Japanese Art
ARTH 390
Wood, Flesh, Metal, Blood
ARTH 329
Cultural Property? Art, Heritage, Ownership Cultural Propert...
ARTH 295
Ingenious Making in the Early Modern World
ARTH 290
Gender and the Visual Arts in Europe, 1450–1750
ARTH 269
Beyond the Plane: Photography as Intermedium
ARTH 239
Word and Image in Early Modern
ARTH 215
Saints and Relics in Medieval and Renaissance Art
ARTH 158
Approaches to Islamic Art