JHU Course Reviews
Johns Hopkins University
Code | Name | Overall | Easiness | Interest | Usefulness | Reviewssorted descending |
---|---|---|---|---|---|---|
AS010 104 | Freshman Seminar: Investigating Gender and Sexuality in Meso... | 0 | 0 | 0 | 0 | 0 |
AS010 114 | Freshman Seminar: Mapping the Middle Ages: Sites and Destina... | 0 | 0 | 0 | 0 | 0 |
AS010 205 | Art of Mesoamerica | 0 | 0 | 0 | 0 | 0 |
AS010 212 | Mirror Mirror: Reflections in Art from Van Eyck to Velázq... | 0 | 0 | 0 | 0 | 0 |
AS010 230 | Contemporary Art of the Americas | 0 | 0 | 0 | 0 | 0 |
AS010 251 | Medieval Spaces: Site, Image, and Viewer in the Middle Ages | 0 | 0 | 0 | 0 | 0 |
AS010 302 | Writing Systems of the Ancient Americas | 0 | 0 | 0 | 0 | 0 |
AS010 309 | The Idea of Athens | 0 | 0 | 0 | 0 | 0 |
AS010 320 | Art of Colonial Peru | 0 | 0 | 0 | 0 | 0 |
AS010 326 | Modern Art and Mass Culture | 0 | 0 | 0 | 0 | 0 |
AS010 334 | Problems in Art of the Ancient Americas | 0 | 0 | 0 | 0 | 0 |
AS010 352 | Modern and Contemporary Art: Middle East and South Asia | 0 | 0 | 0 | 0 | 0 |
AS010 367 | Photography, the Archive, and Memory | 0 | 0 | 0 | 0 | 0 |
AS010 390 | Ancient Americas Object Workshop | 0 | 0 | 0 | 0 | 0 |
AS010 403 | Art and Science in the Middle Ages | 0 | 0 | 0 | 0 | 0 |
AS010 410 | The Epistemology of Photography | 0 | 0 | 0 | 0 | 0 |
AS010 415 | Interrogating the Material Turn | 0 | 0 | 0 | 0 | 0 |
AS010 424 | Art and Colonialism: Nineteenth-century India | 0 | 0 | 0 | 0 | 0 |
AS010 433 | Hands-On Approaches to European Books and Prints before 1800 | 0 | 0 | 0 | 0 | 0 |
AS010 452 | Death and the State: Archaeologies of Governance in the Amer... | 0 | 0 | 0 | 0 | 0 |
AS010 502 | Independent Study | 0 | 0 | 0 | 0 | 0 |
AS010 522 | Honors Thesis | 0 | 0 | 0 | 0 | 0 |
AS010 603 | Beyond Word & Image | 0 | 0 | 0 | 0 | 0 |
AS010 607 | The Epistemology of Photography | 0 | 0 | 0 | 0 | 0 |
AS010 615 | Therapies of Art and Literature from Antiquity to Early Mode... | 0 | 0 | 0 | 0 | 0 |
AS010 626 | Place, Space, and Art History’s “Global Turn” | 0 | 0 | 0 | 0 | 0 |
AS010 630 | Formless / Nameless / Abstract in Premodern Art and Architec... | 0 | 0 | 0 | 0 | 0 |
AS010 635 | Death and the State: Archaeologies of Governance in the Amer... | 0 | 0 | 0 | 0 | 0 |
AS010 642 | Matisse and his Century | 0 | 0 | 0 | 0 | 0 |
AS010 648 | Art and Language in the Indigenous Americas | 0 | 0 | 0 | 0 | 0 |
AS010 652 | Classics Research Lab: Antioch Recovery Project (ARP) | 0 | 0 | 0 | 0 | 0 |
AS010 661 | The Double: Identity and Difference in Art Since 1900 | 0 | 0 | 0 | 0 | 0 |
AS010 802 | Special Research/Problems | 0 | 0 | 0 | 0 | 0 |
AS010 103 | Introduction to the Art of Asia | 0 | 0 | 0 | 0 | 0 |
AS010 110 | Art of the Islamic World | 0 | 0 | 0 | 0 | 0 |
AS010 200 | Postwar Art, 1945-1989 | 0 | 0 | 0 | 0 | 0 |
AS010 208 | Leonardo da Vinci: The Renaissance Workshop in the Formation... | 0 | 0 | 0 | 0 | 0 |
AS010 214 | Ancient Americas in Motion | 0 | 0 | 0 | 0 | 0 |
AS010 235 | Art, Medicine, and the Body: Middle Ages to Modernity | 0 | 0 | 0 | 0 | 0 |
AS010 265 | Early Modern Dutch and Flemish Painting | 0 | 0 | 0 | 0 | 0 |
AS010 307 | Diplomats, Dealers, and Diggers: The Birth of Archaeology an... | 0 | 0 | 0 | 0 | 0 |
AS010 319 | Medieval Art and Architecture of the Holy Land | 0 | 0 | 0 | 0 | 0 |
AS010 328 | From Mystique to Critique: Feminism and the Visual Arts 1970... | 0 | 0 | 0 | 0 | 0 |
AS010 338 | Art and the Harem: Women’s Spaces, Patronage, and (Self-)R... | 0 | 0 | 0 | 0 | 0 |
AS010 364 | Babylon: Myth and Reality | 0 | 0 | 0 | 0 | 0 |
AS010 371 | Materials and Methods in Contemporary Art | 0 | 0 | 0 | 0 | 0 |
AS010 398 | Tombs for the Living | 0 | 0 | 0 | 0 | 0 |
AS010 407 | Ancient Americas Metallurgy | 0 | 0 | 0 | 0 | 0 |
AS010 414 | The Cartographic Imaginary: Maps, Charts, and the Navigation... | 0 | 0 | 0 | 0 | 0 |
AS010 423 | Modern and Contemporary Art in South Asia | 0 | 0 | 0 | 0 | 0 |
AS010 431 | Obsessed with the Past: the Art and Architecture of Medieval... | 0 | 0 | 0 | 0 | 0 |
AS010 440 | Power Dressing: The Politics of Costume between the Ottoman... | 0 | 0 | 0 | 0 | 0 |
AS010 460 | The Art of Gothic Europe (1200-1500) | 0 | 0 | 0 | 0 | 0 |
AS010 506 | Internship - Spring | 0 | 0 | 0 | 0 | 0 |
AS010 600 | The Material Turn in Premodern Art History | 0 | 0 | 0 | 0 | 0 |
AS010 604 | Contested Patterns: Islamic Art History and Its Challenges | 0 | 0 | 0 | 0 | 0 |
AS010 608 | The Picture as Object | 0 | 0 | 0 | 0 | 0 |
AS010 617 | The Cartographic Imaginary: Maps, Charts, and the Navigation... | 0 | 0 | 0 | 0 | 0 |
AS010 627 | Patronage and Power: The Art of the Book in the Middle Ages | 0 | 0 | 0 | 0 | 0 |
AS010 632 | Painting and Subjectivity | 0 | 0 | 0 | 0 | 0 |
AS010 638 | Interrogating the Material Turn | 0 | 0 | 0 | 0 | 0 |
AS010 643 | Without Representation: Race, Gender, and Belonging in Ameri... | 0 | 0 | 0 | 0 | 0 |
AS010 649 | Power Dressing: The Politics of Costume between the Ottoman... | 0 | 0 | 0 | 0 | 0 |
AS010 656 | The Cut | 0 | 0 | 0 | 0 | 0 |
AS010 702 | 1525: Prints and Politics in the German Reformation | 0 | 0 | 0 | 0 | 0 |
AS010 804 | Individual Work | 0 | 0 | 0 | 0 | 0 |
AS010 102 | Introduction to Art History II | 0 | 0 | 0 | 0 | 0 |
AS010 111 | Introduction to the History of Art: Ancient to Medieval | 0 | 0 | 0 | 0 | 0 |
AS010 203 | Abstraction | 0 | 0 | 0 | 0 | 0 |
AS010 209 | Art since 1945 | 0 | 0 | 0 | 0 | 0 |
AS010 218 | Modern Art, 1880-1950 | 0 | 0 | 0 | 0 | 0 |
AS010 233 | Asian Art Since 1945 | 0 | 0 | 0 | 0 | 0 |
AS010 260 | By the Book: Illuminated Manuscripts in the Middle Ages | 0 | 0 | 0 | 0 | 0 |
AS010 305 | The Ethiopia at the Crossroads | 0 | 0 | 0 | 0 | 0 |
AS010 310 | The ‘Long Sixties’ in Europe | 0 | 0 | 0 | 0 | 0 |
AS010 324 | The Art of Pilgrimage: How Visual Culture Shaped Sacred Trav... | 0 | 0 | 0 | 0 | 0 |
AS010 329 | Building an Empire: Architecture of the Ottoman Capitals, c.... | 0 | 0 | 0 | 0 | 0 |
AS010 348 | Speaking of Color | 0 | 0 | 0 | 0 | 0 |
AS010 365 | Art of the Ancient Andes | 0 | 0 | 0 | 0 | 0 |
AS010 382 | The Politics of Display in South Asia | 0 | 0 | 0 | 0 | 0 |
AS010 401 | A Republic in Crisis: Florence 1490-1530 | 0 | 0 | 0 | 0 | 0 |
AS010 409 | Theories and Works of “The Baroque” | 0 | 0 | 0 | 0 | 0 |
AS010 419 | Passion Image, Passion Cult, Passion Drama: Narrative and Me... | 0 | 0 | 0 | 0 | 0 |
AS010 432 | Therapies of Art and Literature from Antiquity to Early Mode... | 0 | 0 | 0 | 0 | 0 |
AS010 444 | Classics Research Lab: Antioch Recovery Project (ARP) | 0 | 0 | 0 | 0 | 0 |
AS010 461 | The Double: Identity and Difference in Art Since 1900 | 0 | 0 | 0 | 0 | 0 |
AS010 507 | Internship | 0 | 0 | 0 | 0 | 0 |
AS010 601 | Art and knowledge in medieval Southern Italy | 0 | 0 | 0 | 0 | 0 |
AS010 605 | An Empire’s Diversity: Ottoman Architecture and Patro... | 0 | 0 | 0 | 0 | 0 |
AS010 611 | Seminar in Near Eastern Art: | 0 | 0 | 0 | 0 | 0 |
AS010 620 | Theories and Geographies of the Baroque: 1600 to the Present | 0 | 0 | 0 | 0 | 0 |
AS010 628 | Image and relic: aesthetics, materiality, and function of la... | 0 | 0 | 0 | 0 | 0 |
AS010 634 | Rethinking the Renaissance: Alternatives to "Early Modernity... | 0 | 0 | 0 | 0 | 0 |
AS010 641 | Hands-On Approaches to European Books and Prints before 1800 | 0 | 0 | 0 | 0 | 0 |
AS010 647 | Art and Vision in Premodern Europe | 0 | 0 | 0 | 0 | 0 |
AS010 655 | Raphael: Self-Production and Historical Reception | 0 | 0 | 0 | 0 | 0 |
AS010 703 | Patterns of Attention in the Visual Arts | 0 | 0 | 0 | 0 | 0 |
AS010 803 | Individual Work | 0 | 0 | 0 | 0 | 0 |
AS010 101 | Introduction to Art History I | 0 | 0 | 0 | 0 | 0 |
AS010 112 | Freshman Seminar - Lower, Later, Farther Away: Roman Art Bey... | 0 | 0 | 0 | 0 | 0 |
AS010 204 | Italian Art in the Middle Ages | 0 | 0 | 0 | 0 | 0 |
AS010 210 | The Art of Colonial Latin America | 0 | 0 | 0 | 0 | 0 |
AS010 222 | Freshman Seminar: Representing Roman Power: Sculpture as Pol... | 0 | 0 | 0 | 0 | 0 |
AS010 237 | Freshman Seminar: Art and Medicine in the ancient Mediterran... | 0 | 0 | 0 | 0 | 0 |
AS010 301 | Michelangelo: Religion, Sexuality, and the Crisis of Renaiss... | 0 | 0 | 0 | 0 | 0 |
AS010 308 | Art and Technology, 1800 - Present | 0 | 0 | 0 | 0 | 0 |
AS010 316 | Venice: Art, Architecture and Ecology from the Late Middle A... | 0 | 0 | 0 | 0 | 0 |
AS010 327 | Asia America: Art and Architecture | 0 | 0 | 0 | 0 | 0 |
AS010 337 | Global Amsterdam: The Golden Age of a Small but Mighty Metro... | 0 | 0 | 0 | 0 | 0 |
AS010 442 | Without Representation: Race, Gender, and Belonging in Ameri... | 0 | 0 | 0 | 0 | 0 |
AS010 501 | Independent Study | 0 | 0 | 0 | 0 | 0 |
AS010 521 | Honors Thesis | 0 | 0 | 0 | 0 | 0 |
AS010 602 | The Art of Gothic Europe (1200-1500) | 0 | 0 | 0 | 0 | 0 |
AS010 606 | Approaches to Ancient Art | 0 | 0 | 0 | 0 | 0 |
AS010 613 | Geographies of Art: Theories and Cases Studies from the Rena... | 0 | 0 | 0 | 0 | 0 |
AS010 624 | Art and Colonialism: Nineteenth-century India | 0 | 0 | 0 | 0 | 0 |
AS010 629 | Periodization and its Discontents | 0 | 0 | 0 | 0 | 0 |
AS010 633 | Theories and Works of “The Baroque” | 0 | 0 | 0 | 0 | 0 |
AS010 640 | Challenge to Painting: Collage, Montage, Assemblage | 0 | 0 | 0 | 0 | 0 |
AS010 646 | Art and Architecture at the Eastern Frontier: Medieval Georg... | 0 | 0 | 0 | 0 | 0 |
AS010 651 | Postcolonial Theory | 0 | 0 | 0 | 0 | 0 |
AS010 659 | Passion Image, Passion Cult, Passion Drama: Narrative and Me... | 0 | 0 | 0 | 0 | 0 |
AS010 801 | Special Rsrch & Problems | 0 | 0 | 0 | 0 | 0 |
AS010 105 | Art of the Ancient Americas | 0 | 0 | 0 | 0 | 0 |
AS010 150 | Freshman Seminar: Rembrandt | 0 | 0 | 0 | 0 | 0 |
AS010 207 | African American Art of the Twentieth Century | 0 | 0 | 0 | 0 | 0 |
AS010 232 | Art and Architecture of the Global Medieval Mediterranean Wo... | 0 | 0 | 0 | 0 | 0 |
AS010 252 | Sculpture and Ideology in the Middle Ages | 0 | 0 | 0 | 0 | 0 |
AS010 303 | Transformations of an Empire: Power, Religion, and the Arts... | 0 | 0 | 0 | 0 | 0 |
AS010 315 | Art of the Assyrian Empire, 1000-600 BCE | 0 | 0 | 0 | 0 | 0 |
AS010 325 | Blood, Gold, and Souls: The Arts of the Spanish Empire | 0 | 0 | 0 | 0 | 0 |
AS010 332 | Jade, Turquoise, Feathers, and Gold: Valued Materials in Azt... | 0 | 0 | 0 | 0 | 0 |
AS010 349 | Art and Interactions in the Eastern Mediterranean from 2000... | 0 | 0 | 0 | 0 | 0 |
AS010 366 | Native American Art | 0 | 0 | 0 | 0 | 0 |
AS010 389 | The Stone and the Thread | 0 | 0 | 0 | 0 | 0 |
AS010 405 | The Medieval Image and Concepts of Authenticity | 0 | 0 | 0 | 0 | 0 |
AS010 413 | Historical and Conceptual Bases of Art History | 0 | 0 | 0 | 0 | 0 |
AS010 422 | Challenge to Painting: Collage, Montage, Assemblage | 0 | 0 | 0 | 0 | 0 |
AS010 425 | Patronage and Power: The Art of the Book in the Middle Ages | 0 | 0 | 0 | 0 | 0 |
AS010 625 | Art and Interaction in the Bronze Age Eastern Mediterranean | 0 | 0 | 0 | 0 | 0 |
AS010 631 | Performing Power: Ceremonial, Diplomacy, and Gift-Giving in... | 0 | 0 | 0 | 0 | 0 |
AS010 639 | Obsessed with the Past: the Art and Architecture of Medieval... | 0 | 0 | 0 | 0 | 0 |
AS010 644 | The Medieval Image and Concepts of Authenticity | 0 | 0 | 0 | 0 | 0 |
AS010 650 | Before and After Trent: the Image and Sacred Space in Rome a... | 0 | 0 | 0 | 0 | 0 |
AS010 660 | The Hegemony of Bodies | 0 | 0 | 0 | 0 | 0 |
AS010 704 | Pieter Bruegel the Elder: New Directions in Scholarship | 0 | 0 | 0 | 0 | 0 |
AS010 104
Freshman Seminar: Investigating Gender and Sexuality in Meso...
AS010 114
Freshman Seminar: Mapping the Middle Ages: Sites and Destina...
AS010 205
Art of Mesoamerica
AS010 212
Mirror Mirror: Reflections in Art from Van Eyck to Velázq...
AS010 230
Contemporary Art of the Americas
AS010 251
Medieval Spaces: Site, Image, and Viewer in the Middle Ages
AS010 302
Writing Systems of the Ancient Americas
AS010 309
The Idea of Athens
AS010 320
Art of Colonial Peru
AS010 326
Modern Art and Mass Culture
AS010 334
Problems in Art of the Ancient Americas
AS010 352
Modern and Contemporary Art: Middle East and South Asia
AS010 367
Photography, the Archive, and Memory
AS010 390
Ancient Americas Object Workshop
AS010 403
Art and Science in the Middle Ages
AS010 410
The Epistemology of Photography
AS010 415
Interrogating the Material Turn
AS010 424
Art and Colonialism: Nineteenth-century India
AS010 433
Hands-On Approaches to European Books and Prints before 1800
AS010 452
Death and the State: Archaeologies of Governance in the Amer...
AS010 502
Independent Study
AS010 522
Honors Thesis
AS010 603
Beyond Word & Image
AS010 607
The Epistemology of Photography
AS010 615
Therapies of Art and Literature from Antiquity to Early Mode...
AS010 626
Place, Space, and Art History’s “Global Turn”
AS010 630
Formless / Nameless / Abstract in Premodern Art and Architec...
AS010 635
Death and the State: Archaeologies of Governance in the Amer...
AS010 642
Matisse and his Century
AS010 648
Art and Language in the Indigenous Americas
AS010 652
Classics Research Lab: Antioch Recovery Project (ARP)
AS010 661
The Double: Identity and Difference in Art Since 1900
AS010 802
Special Research/Problems
AS010 103
Introduction to the Art of Asia
AS010 110
Art of the Islamic World
AS010 200
Postwar Art, 1945-1989
AS010 208
Leonardo da Vinci: The Renaissance Workshop in the Formation...
AS010 214
Ancient Americas in Motion
AS010 235
Art, Medicine, and the Body: Middle Ages to Modernity
AS010 265
Early Modern Dutch and Flemish Painting
AS010 307
Diplomats, Dealers, and Diggers: The Birth of Archaeology an...
AS010 319
Medieval Art and Architecture of the Holy Land
AS010 328
From Mystique to Critique: Feminism and the Visual Arts 1970...
AS010 338
Art and the Harem: Women’s Spaces, Patronage, and (Self-)R...
AS010 364
Babylon: Myth and Reality
AS010 371
Materials and Methods in Contemporary Art
AS010 398
Tombs for the Living
AS010 407
Ancient Americas Metallurgy
AS010 414
The Cartographic Imaginary: Maps, Charts, and the Navigation...
AS010 423
Modern and Contemporary Art in South Asia
AS010 431
Obsessed with the Past: the Art and Architecture of Medieval...
AS010 440
Power Dressing: The Politics of Costume between the Ottoman...
AS010 460
The Art of Gothic Europe (1200-1500)
AS010 506
Internship - Spring
AS010 600
The Material Turn in Premodern Art History
AS010 604
Contested Patterns: Islamic Art History and Its Challenges
AS010 608
The Picture as Object
AS010 617
The Cartographic Imaginary: Maps, Charts, and the Navigation...
AS010 627
Patronage and Power: The Art of the Book in the Middle Ages
AS010 632
Painting and Subjectivity
AS010 638
Interrogating the Material Turn
AS010 643
Without Representation: Race, Gender, and Belonging in Ameri...
AS010 649
Power Dressing: The Politics of Costume between the Ottoman...
AS010 656
The Cut
AS010 702
1525: Prints and Politics in the German Reformation
AS010 804
Individual Work
AS010 102
Introduction to Art History II
AS010 111
Introduction to the History of Art: Ancient to Medieval
AS010 203
Abstraction
AS010 209
Art since 1945
AS010 218
Modern Art, 1880-1950
AS010 233
Asian Art Since 1945
AS010 260
By the Book: Illuminated Manuscripts in the Middle Ages
AS010 305
The Ethiopia at the Crossroads
AS010 310
The ‘Long Sixties’ in Europe
AS010 324
The Art of Pilgrimage: How Visual Culture Shaped Sacred Trav...
AS010 329
Building an Empire: Architecture of the Ottoman Capitals, c....
AS010 348
Speaking of Color
AS010 365
Art of the Ancient Andes
AS010 382
The Politics of Display in South Asia
AS010 401
A Republic in Crisis: Florence 1490-1530
AS010 409
Theories and Works of “The Baroque”
AS010 419
Passion Image, Passion Cult, Passion Drama: Narrative and Me...
AS010 432
Therapies of Art and Literature from Antiquity to Early Mode...
AS010 444
Classics Research Lab: Antioch Recovery Project (ARP)
AS010 461
The Double: Identity and Difference in Art Since 1900
AS010 507
Internship
AS010 601
Art and knowledge in medieval Southern Italy
AS010 605
An Empire’s Diversity: Ottoman Architecture and Patro...
AS010 611
Seminar in Near Eastern Art:
AS010 620
Theories and Geographies of the Baroque: 1600 to the Present
AS010 628
Image and relic: aesthetics, materiality, and function of la...
AS010 634
Rethinking the Renaissance: Alternatives to "Early Modernity...
AS010 641
Hands-On Approaches to European Books and Prints before 1800
AS010 647
Art and Vision in Premodern Europe
AS010 655
Raphael: Self-Production and Historical Reception
AS010 703
Patterns of Attention in the Visual Arts
AS010 803
Individual Work
AS010 101
Introduction to Art History I
AS010 112
Freshman Seminar - Lower, Later, Farther Away: Roman Art Bey...
AS010 204
Italian Art in the Middle Ages
AS010 210
The Art of Colonial Latin America
AS010 222
Freshman Seminar: Representing Roman Power: Sculpture as Pol...
AS010 237
Freshman Seminar: Art and Medicine in the ancient Mediterran...
AS010 301
Michelangelo: Religion, Sexuality, and the Crisis of Renaiss...
AS010 308
Art and Technology, 1800 - Present
AS010 316
Venice: Art, Architecture and Ecology from the Late Middle A...
AS010 327
Asia America: Art and Architecture
AS010 337
Global Amsterdam: The Golden Age of a Small but Mighty Metro...
AS010 442
Without Representation: Race, Gender, and Belonging in Ameri...
AS010 501
Independent Study
AS010 521
Honors Thesis
AS010 602
The Art of Gothic Europe (1200-1500)
AS010 606
Approaches to Ancient Art
AS010 613
Geographies of Art: Theories and Cases Studies from the Rena...
AS010 624
Art and Colonialism: Nineteenth-century India
AS010 629
Periodization and its Discontents
AS010 633
Theories and Works of “The Baroque”
AS010 640
Challenge to Painting: Collage, Montage, Assemblage
AS010 646
Art and Architecture at the Eastern Frontier: Medieval Georg...
AS010 651
Postcolonial Theory
AS010 659
Passion Image, Passion Cult, Passion Drama: Narrative and Me...
AS010 801
Special Rsrch & Problems
AS010 105
Art of the Ancient Americas
AS010 150
Freshman Seminar: Rembrandt
AS010 207
African American Art of the Twentieth Century
AS010 232
Art and Architecture of the Global Medieval Mediterranean Wo...
AS010 252
Sculpture and Ideology in the Middle Ages
AS010 303
Transformations of an Empire: Power, Religion, and the Arts...
AS010 315
Art of the Assyrian Empire, 1000-600 BCE
AS010 325
Blood, Gold, and Souls: The Arts of the Spanish Empire
AS010 332
Jade, Turquoise, Feathers, and Gold: Valued Materials in Azt...
AS010 349
Art and Interactions in the Eastern Mediterranean from 2000...
AS010 366
Native American Art
AS010 389
The Stone and the Thread
AS010 405
The Medieval Image and Concepts of Authenticity
AS010 413
Historical and Conceptual Bases of Art History
AS010 422
Challenge to Painting: Collage, Montage, Assemblage
AS010 425
Patronage and Power: The Art of the Book in the Middle Ages
AS010 625
Art and Interaction in the Bronze Age Eastern Mediterranean
AS010 631
Performing Power: Ceremonial, Diplomacy, and Gift-Giving in...
AS010 639
Obsessed with the Past: the Art and Architecture of Medieval...
AS010 644
The Medieval Image and Concepts of Authenticity
AS010 650
Before and After Trent: the Image and Sacred Space in Rome a...
AS010 660
The Hegemony of Bodies
AS010 704
Pieter Bruegel the Elder: New Directions in Scholarship