Harvard Course Reviews
Harvard University
| Code | Name | Overall | Easiness | Interest | Usefulness | Reviewssorted descending |
|---|---|---|---|---|---|---|
| MUSIC 217R | 19th Century Music | 0 | 0 | 0 | 0 | 0 |
| MUSIC 10B | Harvard-Radcliffe Orchestra | 0 | 0 | 0 | 0 | 0 |
| MUSIC 2 | Foundations of Tonal Music I | 0 | 0 | 0 | 0 | 0 |
| MUSIC 309 | Doctoral Colloquium | 0 | 0 | 0 | 0 | 0 |
| MUSIC 305R | Dissertation Proposal Research | 0 | 0 | 0 | 0 | 0 |
| MUSIC 294R | Music, Philosophy, and Efficacy | 0 | 0 | 0 | 0 | 0 |
| MUSIC 286R | Listening, Creativity, and Imagination | 0 | 0 | 0 | 0 | 0 |
| MUSIC 281RX | Black Speculative Musicalities | 0 | 0 | 0 | 0 | 0 |
| MUSIC 266R | Creative Practice & Critical Inquiry Seminar | 0 | 0 | 0 | 0 | 0 |
| MUSIC 250HFB | Colloquium on Teaching Pedagogy | 0 | 0 | 0 | 0 | 0 |
| MUSIC 243R | Music and Performance Studies | 0 | 0 | 0 | 0 | 0 |
| MUSIC 230RR | Theory and Analysis of Music in Visual Multimedia | 0 | 0 | 0 | 0 | 0 |
| MUSIC 224R | Musical Analysis | 0 | 0 | 0 | 0 | 0 |
| MUSIC 221R | Current Issues in Music Theory | 0 | 0 | 0 | 0 | 0 |
| MUSIC 219R | 19th and 20th Century Music: Seminar | 0 | 0 | 0 | 0 | 0 |
| MUSIC 14A | Harvard-Radcliffe Collegium Musicum | 0 | 0 | 0 | 0 | 0 |
| MUSIC 209R | Ethnomusicology: Seminar | 0 | 0 | 0 | 0 | 0 |
| MUSIC 207R | Ethnomusicology: Seminar | 0 | 0 | 0 | 0 | 0 |
| MUSIC 201B | Current Methods in Ethnomusicology | 0 | 0 | 0 | 0 | 0 |
| MUSIC 195R | Topics in Music from 1900 - Present | 0 | 0 | 0 | 0 | 0 |
| MUSIC 194R | Special Topics: Proseminar | 0 | 0 | 0 | 0 | 0 |
| MUSIC 192RR | Topics in Music from 1600-1800: Proseminar | 0 | 0 | 0 | 0 | 0 |
| MUSIC 189R | Chamber Music Performance | 0 | 0 | 0 | 0 | 0 |
| MUSIC 187R | Opera Workshop | 0 | 0 | 0 | 0 | 0 |
| MUSIC 184R | 20th Century Performance Practice | 0 | 0 | 0 | 0 | 0 |
| MUSIC 180R | The Harvard New Music Ensemble | 0 | 0 | 0 | 0 | 0 |
| MUSIC 177 | Creative Music: Advanced Ensemble Workshop | 0 | 0 | 0 | 0 | 0 |
| MUSIC 173R | Creative Music: Critical Practice Studio | 0 | 0 | 0 | 0 | 0 |
| MUSIC 170R | Songwrighter’s Apothecary Lab | 0 | 0 | 0 | 0 | 0 |
| MUSIC 178R | Applied Music Activism | 0 | 0 | 0 | 0 | 0 |
| MUSIC 9999 | Independent Study - Private Music Lessons | 0 | 0 | 0 | 0 | 0 |
| MUSIC 308R | Dissertation Research, Composition and Performance | 0 | 0 | 0 | 0 | 0 |
| MUSIC 300 | Reading and Research for Advanced Students | 0 | 0 | 0 | 0 | 0 |
| MUSIC 291R | Music and Migration | 0 | 0 | 0 | 0 | 0 |
| MUSIC 281R | Musicality | 0 | 0 | 0 | 0 | 0 |
| MUSIC 270R | Special Topics | 0 | 0 | 0 | 0 | 0 |
| MUSIC 262R | Composition: Seminar | 0 | 0 | 0 | 0 | 0 |
| MUSIC 245 | Voice | 0 | 0 | 0 | 0 | 0 |
| MUSIC 241R | Musicology Special Topics | 0 | 0 | 0 | 0 | 0 |
| MUSIC 230RS | Topics in Music Theory | 0 | 0 | 0 | 0 | 0 |
| MUSIC 223R | Neo-Riemannian Analysis | 0 | 0 | 0 | 0 | 0 |
| MUSIC 185R | Experimental Music Ensemble | 0 | 0 | 0 | 0 | 0 |
| MUSIC 181R | Performance and Culture: Renaissance Music | 0 | 0 | 0 | 0 | 0 |
| MUSIC 161R | Advanced Composition | 0 | 0 | 0 | 0 | 0 |
| MUSIC 175R | Mahler and the Finis Austriae | 0 | 0 | 0 | 0 | 0 |
| MUSIC 171R | Creative Music: Composer-Pianists | 0 | 0 | 0 | 0 | 0 |
| MUSIC 167 | Storytelling with Sounds | 0 | 0 | 0 | 0 | 0 |
| MUSIC 159R | Sound Studies | 0 | 0 | 0 | 0 | 0 |
| MUSIC 152 | Post-Tonal Analysis | 0 | 0 | 0 | 0 | 0 |
| MUSIC 143R | Topics in Modern Jazz | 0 | 0 | 0 | 0 | 0 |
| MUSIC 127R | Intensive Conducting | 0 | 0 | 0 | 0 | 0 |
| MUSIC 108R | (re)Facing (g)Odds: Black Improvisational Music and Dance | 0 | 0 | 0 | 0 | 0 |
| MUSIC 97T | Thinking about Music | 0 | 0 | 0 | 0 | 0 |
| MUSIC 51A | Theory Ia | 0 | 0 | 0 | 0 | 0 |
| MUSIC 24 | Social Engagement through Music | 0 | 0 | 0 | 0 | 0 |
| MUSIC 18B | Harvard Jazz Band | 0 | 0 | 0 | 0 | 0 |
| MUSIC 16A | Radcliffe Choral Society | 0 | 0 | 0 | 0 | 0 |
| MUSIC 160R | Composition Proseminar: Composing Theatre | 0 | 0 | 0 | 0 | 0 |
| MUSIC 208R | Ethnomusicology: Seminar | 0 | 0 | 0 | 0 | 0 |
| MUSIC 206R | Musical Ethnography | 0 | 0 | 0 | 0 | 0 |
| MUSIC 201A | Introduction to Music Scholarship | 0 | 0 | 0 | 0 | 0 |
| MUSIC 195RS | Topics in Music from 1900 - Present | 0 | 0 | 0 | 0 | 0 |
| MUSIC 193R | Topics in Music from 1800 to the Present: Proseminar | 0 | 0 | 0 | 0 | 0 |
| MUSIC 190R | The Sacred Sounds of Black Folk: The Black Choral Tradition | 0 | 0 | 0 | 0 | 0 |
| MUSIC 188R | Composer-Performers of the African Diaspora | 0 | 0 | 0 | 0 | 0 |
| MUSIC 186R | Music & Mockumentary Lab | 0 | 0 | 0 | 0 | 0 |
| MUSIC 183R | Gospel Music | 0 | 0 | 0 | 0 | 0 |
| MUSIC 179R | Advanced Electronic Music | 0 | 0 | 0 | 0 | 0 |
| MUSIC 176B | Music and Dis/Ability II | 0 | 0 | 0 | 0 | 0 |
| MUSIC 172R | Performer-Composer Collaborative | 0 | 0 | 0 | 0 | 0 |
| MUSIC 168 | Analog Synthesizer and the Digital Age | 0 | 0 | 0 | 0 | 0 |
| MUSIC 213R | Topics in Medieval Polyphony | 0 | 0 | 0 | 0 | 0 |
| MUSIC 155 | Modal Counterpoint | 0 | 0 | 0 | 0 | 0 |
| MUSIC 150 | Music Theory & Interpretation | 0 | 0 | 0 | 0 | 0 |
| MUSIC 135 | How Music Speaks | 0 | 0 | 0 | 0 | 0 |
| MUSIC 123R | Performing Bach Cantatas | 0 | 0 | 0 | 0 | 0 |
| MUSIC 99R | Tutorial - Senior Year | 0 | 0 | 0 | 0 | 0 |
| MUSIC 97L | Critical Listening | 0 | 0 | 0 | 0 | 0 |
| MUSIC 51B | Theory Ib | 0 | 0 | 0 | 0 | 0 |
| MUSIC 25 | Music Festivals | 0 | 0 | 0 | 0 | 0 |
| MUSIC 20 | Opera | 0 | 0 | 0 | 0 | 0 |
| MUSIC 16B | Radcliffe Choral Society | 0 | 0 | 0 | 0 | 0 |
| MUSIC 15A | Harvard Glee Club | 0 | 0 | 0 | 0 | 0 |
| MUSIC 14B | Harvard-Radcliffe Collegium Musicum | 0 | 0 | 0 | 0 | 0 |
| MUSIC 1 | Introduction to Western Music, from Bach to Beyoncé | 0 | 0 | 0 | 0 | 0 |
| MUSIC 310 | Direction of Doctoral Dissertations | 0 | 0 | 0 | 0 | 0 |
| MUSIC 157RW | South Indian Music Theory & Practice | 0 | 0 | 0 | 0 | 0 |
| MUSIC 151 | Tonal Analysis | 0 | 0 | 0 | 0 | 0 |
| MUSIC 142R | Foundation of Modern Jazz: Topics | 0 | 0 | 0 | 0 | 0 |
| MUSIC 121 | Choral Conducting | 0 | 0 | 0 | 0 | 0 |
| MUSIC 98R | Tutorial - Junior Year | 0 | 0 | 0 | 0 | 0 |
| MUSIC 91R | Supervised Reading and Research | 0 | 0 | 0 | 0 | 0 |
| MUSIC 26 | The Music of Women Creators | 0 | 0 | 0 | 0 | 0 |
| MUSIC 23 | A Social History of Rock 'n Roll | 0 | 0 | 0 | 0 | 0 |
| MUSIC 18A | Harvard Jazz Band | 0 | 0 | 0 | 0 | 0 |
| MUSIC 15B | Harvard Glee Club | 0 | 0 | 0 | 0 | 0 |
| MUSIC 10A | Harvard-Radcliffe Orchestra | 0 | 0 | 0 | 0 | 0 |
| MUSIC 4 | Introduction to Composition | 0 | 0 | 0 | 0 | 0 |
| MUSIC BHFA | Graduate Musicianship | 0 | 0 | 0 | 0 | 0 |
| MUSIC BHFB | Exercises in Tonal Writing and Analysis | 0 | 0 | 0 | 0 | 0 |
| MUSIC 307T | Teaching Fellow | 0 | 0 | 0 | 0 | 0 |
| MUSIC 301R | Reading and Research | 0 | 0 | 0 | 0 | 0 |
| MUSIC 292R | Topics in Musicology | 0 | 0 | 0 | 0 | 0 |
| MUSIC 284R | Soundscape Composition and Social Justice | 0 | 0 | 0 | 0 | 0 |
| MUSIC 271R | Fromm Seminar in Composition | 0 | 0 | 0 | 0 | 0 |
| MUSIC 264R | Electronic Music Composition: Seminar | 0 | 0 | 0 | 0 | 0 |
| MUSIC 250HFA | Colloquium on Teaching Pedagogy | 0 | 0 | 0 | 0 | 0 |
| MUSIC 244 | Film Music/Film Sound | 0 | 0 | 0 | 0 | 0 |
| MUSIC 230R | Topics in Music Theory | 0 | 0 | 0 | 0 | 0 |
| MUSIC 225R | Approaches to Analysis | 0 | 0 | 0 | 0 | 0 |
| MUSIC 222R | Schenkerian Analysis I | 0 | 0 | 0 | 0 | 0 |
| MUSIC 220R | History of Music Theory | 0 | 0 | 0 | 0 | 0 |
| MUSIC 218R | 20th-Century Music: Seminar | 0 | 0 | 0 | 0 | 0 |
MUSIC 217R
19th Century Music
MUSIC 10B
Harvard-Radcliffe Orchestra
MUSIC 2
Foundations of Tonal Music I
MUSIC 309
Doctoral Colloquium
MUSIC 305R
Dissertation Proposal Research
MUSIC 294R
Music, Philosophy, and Efficacy
MUSIC 286R
Listening, Creativity, and Imagination
MUSIC 281RX
Black Speculative Musicalities
MUSIC 266R
Creative Practice & Critical Inquiry Seminar
MUSIC 250HFB
Colloquium on Teaching Pedagogy
MUSIC 243R
Music and Performance Studies
MUSIC 230RR
Theory and Analysis of Music in Visual Multimedia
MUSIC 224R
Musical Analysis
MUSIC 221R
Current Issues in Music Theory
MUSIC 219R
19th and 20th Century Music: Seminar
MUSIC 14A
Harvard-Radcliffe Collegium Musicum
MUSIC 209R
Ethnomusicology: Seminar
MUSIC 207R
Ethnomusicology: Seminar
MUSIC 201B
Current Methods in Ethnomusicology
MUSIC 195R
Topics in Music from 1900 - Present
MUSIC 194R
Special Topics: Proseminar
MUSIC 192RR
Topics in Music from 1600-1800: Proseminar
MUSIC 189R
Chamber Music Performance
MUSIC 187R
Opera Workshop
MUSIC 184R
20th Century Performance Practice
MUSIC 180R
The Harvard New Music Ensemble
MUSIC 177
Creative Music: Advanced Ensemble Workshop
MUSIC 173R
Creative Music: Critical Practice Studio
MUSIC 170R
Songwrighter’s Apothecary Lab
MUSIC 178R
Applied Music Activism
MUSIC 9999
Independent Study - Private Music Lessons
MUSIC 308R
Dissertation Research, Composition and Performance
MUSIC 300
Reading and Research for Advanced Students
MUSIC 291R
Music and Migration
MUSIC 281R
Musicality
MUSIC 270R
Special Topics
MUSIC 262R
Composition: Seminar
MUSIC 245
Voice
MUSIC 241R
Musicology Special Topics
MUSIC 230RS
Topics in Music Theory
MUSIC 223R
Neo-Riemannian Analysis
MUSIC 185R
Experimental Music Ensemble
MUSIC 181R
Performance and Culture: Renaissance Music
MUSIC 161R
Advanced Composition
MUSIC 175R
Mahler and the Finis Austriae
MUSIC 171R
Creative Music: Composer-Pianists
MUSIC 167
Storytelling with Sounds
MUSIC 159R
Sound Studies
MUSIC 152
Post-Tonal Analysis
MUSIC 143R
Topics in Modern Jazz
MUSIC 127R
Intensive Conducting
MUSIC 108R
(re)Facing (g)Odds: Black Improvisational Music and Dance
MUSIC 97T
Thinking about Music
MUSIC 51A
Theory Ia
MUSIC 24
Social Engagement through Music
MUSIC 18B
Harvard Jazz Band
MUSIC 16A
Radcliffe Choral Society
MUSIC 160R
Composition Proseminar: Composing Theatre
MUSIC 208R
Ethnomusicology: Seminar
MUSIC 206R
Musical Ethnography
MUSIC 201A
Introduction to Music Scholarship
MUSIC 195RS
Topics in Music from 1900 - Present
MUSIC 193R
Topics in Music from 1800 to the Present: Proseminar
MUSIC 190R
The Sacred Sounds of Black Folk: The Black Choral Tradition
MUSIC 188R
Composer-Performers of the African Diaspora
MUSIC 186R
Music & Mockumentary Lab
MUSIC 183R
Gospel Music
MUSIC 179R
Advanced Electronic Music
MUSIC 176B
Music and Dis/Ability II
MUSIC 172R
Performer-Composer Collaborative
MUSIC 168
Analog Synthesizer and the Digital Age
MUSIC 213R
Topics in Medieval Polyphony
MUSIC 155
Modal Counterpoint
MUSIC 150
Music Theory & Interpretation
MUSIC 135
How Music Speaks
MUSIC 123R
Performing Bach Cantatas
MUSIC 99R
Tutorial - Senior Year
MUSIC 97L
Critical Listening
MUSIC 51B
Theory Ib
MUSIC 25
Music Festivals
MUSIC 20
Opera
MUSIC 16B
Radcliffe Choral Society
MUSIC 15A
Harvard Glee Club
MUSIC 14B
Harvard-Radcliffe Collegium Musicum
MUSIC 1
Introduction to Western Music, from Bach to Beyoncé
MUSIC 310
Direction of Doctoral Dissertations
MUSIC 157RW
South Indian Music Theory & Practice
MUSIC 151
Tonal Analysis
MUSIC 142R
Foundation of Modern Jazz: Topics
MUSIC 121
Choral Conducting
MUSIC 98R
Tutorial - Junior Year
MUSIC 91R
Supervised Reading and Research
MUSIC 26
The Music of Women Creators
MUSIC 23
A Social History of Rock 'n Roll
MUSIC 18A
Harvard Jazz Band
MUSIC 15B
Harvard Glee Club
MUSIC 10A
Harvard-Radcliffe Orchestra
MUSIC 4
Introduction to Composition
MUSIC BHFA
Graduate Musicianship
MUSIC BHFB
Exercises in Tonal Writing and Analysis
MUSIC 307T
Teaching Fellow
MUSIC 301R
Reading and Research
MUSIC 292R
Topics in Musicology
MUSIC 284R
Soundscape Composition and Social Justice
MUSIC 271R
Fromm Seminar in Composition
MUSIC 264R
Electronic Music Composition: Seminar
MUSIC 250HFA
Colloquium on Teaching Pedagogy
MUSIC 244
Film Music/Film Sound
MUSIC 230R
Topics in Music Theory
MUSIC 225R
Approaches to Analysis
MUSIC 222R
Schenkerian Analysis I
MUSIC 220R
History of Music Theory
MUSIC 218R
20th-Century Music: Seminar