Biola Course Reviews
Biola University
| Code | Name | Overall | Easiness | Interest | Usefulness | Reviewssorted descending |
|---|---|---|---|---|---|---|
| CNMA 103 | Introduction to Digital Media Production | 0 | 0 | 0 | 0 | 0 |
| CNMA 323 | Writing the One-Hour Drama Pilot | 0 | 0 | 0 | 0 | 0 |
| CNMA 354 | The TV Writer's Room One-Hour Spec | 0 | 0 | 0 | 0 | 0 |
| CNMA 368 | Film and Television Adaptation | 0 | 0 | 0 | 0 | 0 |
| CNMA 433 | Mass Media Law and Ethics | 0 | 0 | 0 | 0 | 0 |
| CNMA 459 | Faith and Film | 0 | 0 | 0 | 0 | 0 |
| CNMA 104 | History of Cinema | 0 | 0 | 0 | 0 | 0 |
| CNMA 204 | The Entertainment Business | 0 | 0 | 0 | 0 | 0 |
| CNMA 251 | Sound Design | 0 | 0 | 0 | 0 | 0 |
| CNMA 302 | Production Management | 0 | 0 | 0 | 0 | 0 |
| CNMA 307 | Sound Design | 0 | 0 | 0 | 0 | 0 |
| CNMA 312 | Screenwriting II | 0 | 0 | 0 | 0 | 0 |
| CNMA 325 | Designing Game Narratives | 0 | 0 | 0 | 0 | 0 |
| CNMA 353 | Media Literacy | 0 | 0 | 0 | 0 | 0 |
| CNMA 364 | Media Performance | 0 | 0 | 0 | 0 | 0 |
| CNMA 423 | Themed Storytelling for an Immersive Domain | 0 | 0 | 0 | 0 | 0 |
| CNMA 454 | Film, Television, and the Arts: Racial and Gender Issues | 0 | 0 | 0 | 0 | 0 |
| CNMA 101 | Introduction to Visual Storytelling | 0 | 0 | 0 | 0 | 0 |
| CNMA 140 | History of Games and Interactive Technology | 0 | 0 | 0 | 0 | 0 |
| CNMA 245 | Introduction to Production II: Media Lab | 0 | 0 | 0 | 0 | 0 |
| CNMA 303 | Cinematography | 0 | 0 | 0 | 0 | 0 |
| CNMA 308 | Introduction to Digital 3D Modeling | 0 | 0 | 0 | 0 | 0 |
| CNMA 315 | Editing for Film & Television (Intermediate) | 0 | 0 | 0 | 0 | 0 |
| CNMA 327 | Game Engines | 0 | 0 | 0 | 0 | 0 |
| CNMA 358 | Motion Picture Pre-Production | 0 | 0 | 0 | 0 | 0 |
| CNMA 370 | Sundance Film Festival | 0 | 0 | 0 | 0 | 0 |
| CNMA 425 | Advanced Audio Recording | 0 | 0 | 0 | 0 | 0 |
| CNMA 456 | Senior Portfolio | 0 | 0 | 0 | 0 | 0 |
| CNMA 102 | Visual Aesthetics | 0 | 0 | 0 | 0 | 0 |
| CNMA 203 | Screenwriting I | 0 | 0 | 0 | 0 | 0 |
| CNMA 240 | Introduction to Production I: Directing in Narrative, Docume... | 0 | 0 | 0 | 0 | 0 |
| CNMA 301 | Transmedia Design | 0 | 0 | 0 | 0 | 0 |
| CNMA 310 | Visual Effects and Motion Graphics | 0 | 0 | 0 | 0 | 0 |
| CNMA 317 | Directing for TV and Film (Intermediate) | 0 | 0 | 0 | 0 | 0 |
| CNMA 331 | Motion Picture Script Analysis | 0 | 0 | 0 | 0 | 0 |
| CNMA 359 | Motion Picture Production | 0 | 0 | 0 | 0 | 0 |
| CNMA 401 | Advanced Game Design | 0 | 0 | 0 | 0 | 0 |
| CNMA 440 | Cinema and Media Arts Internship | 0 | 0 | 0 | 0 | 0 |
| CNMA 465 | Advanced Directing for TV and Film | 0 | 0 | 0 | 0 | 0 |
| CNMA 110 | Film Appreciation | 0 | 0 | 0 | 0 | 0 |
| CNMA 215 | Game Design Fundamentals | 0 | 0 | 0 | 0 | 0 |
| CNMA 262 | Directing for TV and Film | 0 | 0 | 0 | 0 | 0 |
| CNMA 305 | Intermediate Game Design | 0 | 0 | 0 | 0 | 0 |
| CNMA 311 | Level Design | 0 | 0 | 0 | 0 | 0 |
| CNMA 320 | Adv St in Crit: Kurosawa | 0 | 0 | 0 | 0 | 0 |
| CNMA 350 | Adv St: Dramatic Designs | 0 | 0 | 0 | 0 | 0 |
| CNMA 360 | The TV Writer's Room Writing the Half Hour Spec | 0 | 0 | 0 | 0 | 0 |
| CNMA 420 | Coverage and Development for Film and TV | 0 | 0 | 0 | 0 | 0 |
| CNMA 450 | CNMA Prac: Cinematography | 0 | 0 | 0 | 0 | 0 |
| CNMA 480 | Directed Research | 0 | 0 | 0 | 0 | 0 |
| CNMA 352 | Character Development and Dialogue | 0 | 0 | 0 | 0 | 0 |
| CNMA 392 | Principles of Advertising | 0 | 0 | 0 | 0 | 0 |
| CNMA 449 | The Role of the Producer | 0 | 0 | 0 | 0 | 0 |
| CNMA 470 | CNMA Sem: The Role of the Production Assistant How to Land &... | 0 | 0 | 0 | 0 | 0 |
CNMA 103
Introduction to Digital Media Production
CNMA 323
Writing the One-Hour Drama Pilot
CNMA 354
The TV Writer's Room One-Hour Spec
CNMA 368
Film and Television Adaptation
CNMA 433
Mass Media Law and Ethics
CNMA 459
Faith and Film
CNMA 104
History of Cinema
CNMA 204
The Entertainment Business
CNMA 251
Sound Design
CNMA 302
Production Management
CNMA 307
Sound Design
CNMA 312
Screenwriting II
CNMA 325
Designing Game Narratives
CNMA 353
Media Literacy
CNMA 364
Media Performance
CNMA 423
Themed Storytelling for an Immersive Domain
CNMA 454
Film, Television, and the Arts: Racial and Gender Issues
CNMA 101
Introduction to Visual Storytelling
CNMA 140
History of Games and Interactive Technology
CNMA 245
Introduction to Production II: Media Lab
CNMA 303
Cinematography
CNMA 308
Introduction to Digital 3D Modeling
CNMA 315
Editing for Film & Television (Intermediate)
CNMA 327
Game Engines
CNMA 358
Motion Picture Pre-Production
CNMA 370
Sundance Film Festival
CNMA 425
Advanced Audio Recording
CNMA 456
Senior Portfolio
CNMA 102
Visual Aesthetics
CNMA 203
Screenwriting I
CNMA 240
Introduction to Production I: Directing in Narrative, Docume...
CNMA 301
Transmedia Design
CNMA 310
Visual Effects and Motion Graphics
CNMA 317
Directing for TV and Film (Intermediate)
CNMA 331
Motion Picture Script Analysis
CNMA 359
Motion Picture Production
CNMA 401
Advanced Game Design
CNMA 440
Cinema and Media Arts Internship
CNMA 465
Advanced Directing for TV and Film
CNMA 110
Film Appreciation
CNMA 215
Game Design Fundamentals
CNMA 262
Directing for TV and Film
CNMA 305
Intermediate Game Design
CNMA 311
Level Design
CNMA 320
Adv St in Crit: Kurosawa
CNMA 350
Adv St: Dramatic Designs
CNMA 360
The TV Writer's Room Writing the Half Hour Spec
CNMA 420
Coverage and Development for Film and TV
CNMA 450
CNMA Prac: Cinematography
CNMA 480
Directed Research
CNMA 352
Character Development and Dialogue
CNMA 392
Principles of Advertising
CNMA 449
The Role of the Producer
CNMA 470
CNMA Sem: The Role of the Production Assistant How to Land &...